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Monday, September 28, 2026 12:06 PM ET

The Nation - Entertainment

The Obama Center as a Tomb of Neoliberalism

1 day ago

The Time of Monsters

1 day ago

America Without the NFL

3 days ago

The Ed Sheeran Controversy

7 days ago

The Palestine of Soraya Antonius and Annemarie Jacir

19 days ago

The Bund and the Radical History of Jewish Anti-Zionism

20 days ago

Love and Literature in Leslie Fiedler's America

20 days ago

The Misremembered '90s of "The Backrooms"

25 days ago

Boots Riley's Communist Heist Film

1 month ago

Do Epics Need Heroes?

1 month ago

This Isn't About Rosebud, David Ellison

1 month ago

Road Trip to Nowhere

1 month ago

Growing Up With "Girls"

1 month ago

David Ellison's Delusional Stab at Self-Justification

1 month ago

What's Behind the Dubai-ification of America's Yemeni Cafés?

20 days ago

Treat Spotify Like a Public Utility

3 days ago

Justice for Macklemore

12 days ago

Dolly Parton Understood That Working 9 to 5 Doesn't Really Pay the Bills in Today's America

19 days ago

Dolly Parton Was More Than an Icon

27 days ago

A Rave Novel Rediscovered

2 months ago

John Edgar Wideman's American Vernacular

1 month ago

Daniel Poppick's Novel of White-Collar Work

1 month ago

Paying Tribute to Richard Lingeman—Longtime Executive Editor and a Quiet Force at "The Nation" for More Than Three Decades

2 months ago

Confessions of an AI Editor

30 days ago

The Nostalgic Architecture of the Obama Presidential Center

1 month ago

Mamdani's Team Redefined Political Video. Now They're Betting on Short Films.

1 month ago

Our Court Jesters Are Disappearing Just When We Need Them Most

1 month ago

Impale and Cry: Christopher Nolan's "The Odyssey"

2 months ago

Nolan's "Odyssey" Misses the Point

2 months ago