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Friday, February 13, 2026 10:14 AM ET

The Nation - Entertainment

The Repeating History of US Intervention in Venezuela

3 days ago

Molly Crabapple's Time Capsule of Resistance

3 days ago

How Capitalism Transformed the Natural World

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The Riotous Worlds of Thomas Pynchon

3 days ago

Letters From the March 2026 Issue

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How Taiwan Became the Chipmaker for the World

24 days ago

The Exposure Therapy of "A Private Life"

3 days ago

Is it Too Late to Save Hollywood?

9 days ago

The Melania in "Melania" Likes Her Gilded Cage Just Fine

10 days ago

Melania at the Multiplex

11 days ago

The Cartoonist, the Director, and the Sex Workers

15 days ago

How Big Gaming Is Swallowing Up the Big Game

7 days ago

"The Paper" and the Return of the Cubicle Comedy

29 days ago

Bari Weiss's Counter-Journalistic Crusade Targets "60 Minutes"

1 month ago

The Line, a Saudi Megaproject, Is Dead

23 days ago

The Remaking of Trump's Washington, DC

3 days ago

Bad Bunny's Stunning Redefinition of "America"

3 days ago

Springsteen Defends the Promised Land Against ICE's "Gestapo Tactics"

23 days ago

Blood Orange's Sonic Experiments

7 days ago

Who's the Boss?

3 months ago

The Sonic Risks of PUP and Rico Nasty

3 months ago

Ishmael Reed on His Diverse Inspirations

14 days ago

Chester Himes's Harlem Noirs

3 months ago

James Baldwin's Radical Politics of Love

5 months ago

A Living Archive of Peter Hujar

17 days ago

Meet the Alaska Student Arrested for Eating an AI Art Exhibit

22 days ago

The Endless Scoops of Seymour Hersh

30 days ago

The Grand Delusions of "Marty Supreme"

1 month ago

Did We Get the History of Modern American Art Wrong?

1 month ago

The Banal Spectacle of "Avatar: Fire and Ash"

1 month ago