Tuesday, May 12, 2026 7:36 AM ET
18 hours ago
"Rooster" ends with women in the lead -- Melanie McFarland22 hours ago
"SNL": Kavanaugh, Hegseth walk into bar -- Alex Galbraith1 day ago
What makes an actress "mother"? -- Coleman Spilde1 day ago
Stolen WW2 art still waiting to go home -- CK Smith2 days ago
A one-time cinematic vandal, vindicated -- Melanie McFarland3 days ago
Tiffany's "Pop Life" is tasty nostalgia -- Nicole Michael4 days ago
The "Devil Wears Prada 2" wake-up call -- Coleman Spilde5 days ago
"Battlestar Galactica" needs no upgrades -- Melanie McFarland6 days ago
11 wild (or mild) Met Gala looks -- Andi Zeisler, Coleman Spilde, Natalie Moore, Hanh Nguyen, Kelly McClure6 days ago
In America, the body is the hustle -- Melanie McFarland7 days ago
SNL pairs Hegseth and Patel for open -- CK Smith8 days ago
Something's off about "Animal Farm" -- Coleman Spilde8 days ago
How I gave in to Tori Amos -- Andi Zeisler9 days ago
Bob Ross helps us paint a better world -- Melanie McFarland9 days ago
Finally, a sequel with a point of view -- Coleman Spilde10 days ago
Megan Thee Stallion can't win -- Melanie McFarland11 days ago
"I Shot Andy Warhol" channels our rage -- Coleman Spilde12 days ago
"Pretty Ugly" resurrects the Lunachicks -- Caryn Rose13 days ago
Every woman is a witch now -- Andi Zeisler14 days ago
Why Lego is our most powerful art medium -- Melanie McFarland12 days ago
"I Swear" tests our compassion -- Coleman Spilde15 days ago
The distinct unease of "Michael" -- Coleman Spilde16 days ago
The lost art of playful opening credits -- Andi Zeisler16 days ago